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Structure
From 1839 when it was invented, photography has served to create portraits of individuals, and soon thereafter portraits of families, later placed in photo albums.Photography, collected and archived, entered the intimate sphere, enabling people to arrange the fragmented images of their lives as they saw fit.Following its forerunners (miniature portraits, silhouettes, physionotraces), the photographic portrait also served the new expectations of the emerging urban bourgeoisie and its need for social representation.Studios opened up in cities everywhere to meet the fast growing demand.In addition, the new medium distinguishted itself with its esthetic superiority. "Even as it emerged, although the technique was still very primitive, photography enjoyed an exceptional quality of artistic finish (Gisele Freund)".What can photography show us to day of the visible and invisible aspects of family sociology? "How do the roles we expect them to play betray the emotional realities and complexities of lived life?" wonders Daniel Mendelsohn, in his introduction entitled "Unknown Faces/ Redeeming Structures".By creating this corpus of fixed black and white images, each composed in a large 5'x7' frame, the photographer has produced a work of anthropological scope, reaching beyond representation by placing the subject at palpable distance, thereby objectifying it.What should we think of these seemingly impassive faces and their hypnotic gazes, what should we think of these postures, seated or standing?What goes on within these families and outside the frame?The use of a rigid protocol similar in all sessions makes every family portraits intriguing, and encourages our reflection.Inspired by the work of Bernd and Hilla Becher, whose esthetics of objectivity tended towards minimalism, Isabelle Boccon-Gibod, a self-made artist, with an interest for technique, has played with a frontality quite similar to that of the Bechers, resting on the idea that our bodies, when joined together, form a sort of architecture.The idea, also, that a face, deprived of its smile, offers a neutrality of expression worth considering: masks fall and reveal a nakedness (naked truth?) to be admired and deciphered beyond the appearances of social games.She was guided, yet not limited, by this principle: the image of a family seen as a facade-like structure, in which faces are the windows.
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Custom Banner Flag Poster Wall Art Decoration Design Decor Vintage Rero Structure Chart Garage Pub
Custom Banner Flag Poster Wall Art Decoration Design Decor Vintage Rero Structure Chart Garage Pub
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Ceramic Masterpieces : Art, Structure and Technology
Ceramic Masterpieces: Art, Structure andTechnologywas first published by the Free Press in 1986.It won a publisher?s award for art (AmericanPublishers?Association, Scholarly and Technical, HonorableMention, 1986). The copyright is held by DavidKingery?s son, William D.Kingery, Jr., who about 11 yearsago signed over to the American Ceramic Society the rights topublish a second edition of the book.This second edition isdivided into four parts. In the introductory section, it states :?The appearance of a ceramic is determined by its internalstructure, which is in turn determined by the technology of itsmanufacture. Revolutionary new methods of study and analysishave advanced out understanding of ceramics. This bookapplies these new methods, connecting visual impact, internalstructure, and technology for a deeper appreciation of ceramicmasterpieces.?Each chapter outlines the transformative artand structure of a ceramic material by providing a general outlineof history, artistic value, antecedent technologies, manufacture ofthe particular dated example, analysis of macrostructure, thenmicrostructure, then composition, then firing, variability and itsrelation to appearance, and finally significance of technology andits contribution to art and culture.In the ceramic technologysection, the sequences and variability of processing, exemplifiedin the case studies, is inventoried with emphasis on structure andtransformation.
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The Ritual Process : Structure and Anti-Structure
In The Ritual Process: Structure and Anti-Structure, Victor Turner examines rituals of the Ndembu in Zambia and develops his now-famous concept of "Communitas." He characterizes it as an absolute inter-human relation beyond any form of structure. The Ritual Process has acquired the status of a small classic since these lectures were first published in 1969.Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes.He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena.Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice. As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data.His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions.Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."
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Word Structure
Word Structure, provides a complete introduction to morphology, the study of the structure of words.Word Structure:* examines how words work as part of the language system* encourages readers to take an objective and analytic approach* refers to a wealth of languages, including Turkish and Latin, to illustrate points raised* provides clear and succinct summaries at the end of each unit.
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Structure
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Structure
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Structure
The latest offering from New York-based duo Water From Your Eyes, "Structure," is a bold and experimental dive into the depths of electro-pop. With a sound that is as unpredictable as it is captivating, this album takes listeners on a sonic rollercoaster ride that is equal parts exhilarating and disorientating. From the haunting vocals of Rachel Brown to the intricate production work of Nate Amos, every track on "Structure" is a testament to the duo's undeniable talent and creativity. The opening track, "Adeleine," sets the tone for the album with its hypnotic melodies and pulsating beats, drawing listeners in with its infectious energy. As the album progresses, tracks like "Break" and "Beads of Gold" showcase Water From Your Eyes' ability to seamlessly blend genres and push boundaries. The duo effortlessly transitions from dreamy synth-pop to gritty electronic sounds, creating a juxtaposition that keeps listeners on their toes. Overall, "Structure" is a triumph of sonic experimentation and fearless creativity. Water From Your Eyes have crafted an album that is as intriguing as it is enigmatic, leaving listeners craving more with each listen. With its infectious energy and innovative sound, "Structure" is a must-listen for any fan of boundary-pushing electronic music.
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